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The
need for excellent microphone signal quality in contemporary audio
production has never been greater. Although the audio path is often
fully digitized, the microphone remains the primary interface between
the signal path and the real world. A microphone cannot feed long
lines without signal degradation; lengths in the order of 25 metres
can degrade performance audibly, and even in a normal recording
studio cable runs are often greater than this. Critical importance
therefore attaches to the performance of the microphone amplifier,
whether its output is in the original analogue form or converted
to digital.
The System 9098 Dual Microphone Amplifier followed
in the footsteps of the early 9098 console, the System 9098 Equaliser
and the System 9098 Remote Control Mic Amplifier, sharing many
of
the same features and of course impeccable clarity of sound.
Mr.
Rupert Neve
For
in depth technical and operational information see the
Blue Room Technical Notes.
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